Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police. This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.
片名：《癡心女子負(fù)心郎》
發(fā)行年份：1948
首映地區(qū)：美國(guó)
導(dǎo)演：劉易斯·艾倫
演員：雷·米蘭德,安·托德,杰拉丁·菲茨杰拉德
如何評(píng)價(jià)《癡心女子負(fù)心郎》
畫面很有代入感，取景是日常生活所見的畫面。bgm的歌詞也很契合劇情和主角心境。
臺(tái)詞意味深長(zhǎng)，編劇非常用力，最終呈現(xiàn)出來(lái)的是一支華麗的舞蹈。
一部片子的場(chǎng)景，就像是我們穿的衣服一樣,什么樣的場(chǎng)景該穿什么出場(chǎng)，什么衣服配什么一樣的人，是一個(gè)道理。
加載中...
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